I the Mighty
Where The Mind Wants To Become / Where You lot Let It Go
(Equal Vision Records)

For ten years, San Francisco'due south I the Mighty has been going strong. While maintaining the same lineup, the grouping has managed to carve out a niche within the saturated post-hardcore, culling rock scene distinctly their own. Highly influenced from genre-angle bands like Coheed and Cambria, I the mighty take always shown the same fearlessness with every release. Whether it is a carol or a fiercely fast paced guitar driven vocal, the group sounds equally at home. With the release of their third LP, Where The Mind Wants To Go / Where Y'all Allow It Get, I the Mighty show no signs of slowing.

Where The Heed Wants To Go / Where You Let It Go opens up with an intense and declarative runway, "Degenerates", which serves as a mission statement for the entire record. As the song crescendo's frontman Brent Walsh emphatically voices, "I think I establish my place!" This search for purpose, while navigating through broken-hearted cocky-awareness, troubled relationships and the desire to seek the present, is laced throughout the record. Notwithstanding, even with the heavy existential themes, the record doesn't get dreary or too self-indulgent. In fact information technology's rather the opposite; the powerful chorus's, song hooks, buttery guitar leads, and energetic rhythms provide a musical backdrop that helps elevate the sense of optimism in the restlessness of Walsh'due south lyrics. It's piece of cake to have for granted how impressive the cohesiveness of the record really is – a natural yet distinctively untethered flow that still maintains the sense of uneasiness with living through young-adulthood. Nearly every track is single worthy: "Escapism", "Chaos in Move and "Pet Names" all could've been released as singles. The fact that they weren't – and that the singles released are exceptional every bit well – is a testament to both Walsh'due south honesty as a lyricist and the band's ability to capture all of these feelings over the course of an 11 rail record.

Though I the Mighty's transition from heavier early days has been continuously first-class, the band still gravitates to certain things musically that feel out of identify and occasionally repetitive. On "Silver Tongues", the bands first unmarried that features Tillian Pearson from Trip the light fantastic toe Gavin Trip the light fantastic, the verse groove feels chaotic and mismatched with the directly forwards chorus; more akin to slapping water rather than pond through it. While it is a subjective annoyance in an otherwise fantastic song, it is these kinds of stylistic habits and comfortable spots that are sprinkled throughout the album that make full the gap betwixt "band who is executing at their meridian", to "ring that is on the precipice of something special". The reliance on open up syncopated verses and heavy one-half time chorus'south too tends to muddy the impact of each individual vocal. This is not a terrible thing at all, nor does information technology ruin the listening feel in a dramatic way. The vast majority of fans and listeners volition accept niggling or no issue.

Role melodic post-hardcore, part loonshit indie-rock – It'south a space I the Mighty shares with very few and it has set up put them into a category of must-follow bands. Avoiding clichés, I the Mighty has managed to write a record that is tricky, intense and mature, articulating the feelings of self-doubt and discovery poetically with instrumentals that are energetic and masterfully written. While Where The Listen Wants To Get / Where You Let Information technology Go is a fantastic album by any standards, the band still seems to be reaching its full blossom. For that reason, buy this record, assimilate this record, and stick by for whatsoever masterpiece comes next.

Purchase the album here: Physical | Digital